Selected Bibliography 1971-2003
Interfunktionen, issue #6, Frederich W. Heubach Editor and publisher, Cologne, Germany
Interfunktionen, issue #8, Frederich W. Heubach Editor and publisher, Cologne, Germany
Nessa Forman, “Entombed for Art”, The Philadelphia Sunday Bulletin, March 6, 1971
Gerrit Henry, review, Art News, May, Page 56
Interfunktionen, issue #9, Frederich W. Heubach Editor and publisher, Cologne, Germany
Interfunktionen, issue #10, Frederich W. Heubach Editor and publisher,Cologne,Germany
Documenta V, exhibition catalogue, published by Documenta V, Kassel, Germany
William Dyckes, review, Arts Magazine, February, Page 76
Artitudes, issue # 4, pp. 48 and 54., Francois Pluchart, publisher. Paris, France
James Collins, review, Artforum, September, pp. 75-76
Norman Nadel, “All the Old Familiar Places Live via 4-Dimensional Mind Sculptures”, The Pittsburgh Press, October 26, 1973
Roberta Smith, review, Artforum, December, Page 83
James Collins, review, Artforum, April. pp. 78-79
Indentitat, exhibition catalogue, published by Haus am Waldzee Museum, Berlin and Frankfurter Kunstverein, Frankfurt, Germany
Art Now ’74, exhibition catalogue, published by the Kennedy Center, Washington, D.C.
Projekt ‘74, exhibition catalogue, published by Koln Kunsthalle, Cologne, Germany, pp 14, 18, 19, 346,347
Margarethe Jochimsen, “Story Art”, Magazin Kunst, No. 55, September, pp. 43, 73 illustration pg. 63
Art Rite, #4, December, pp. 8 and 9
Narrative Art, exhibition catalogue Cannaviello Studio d”Art, Rome, November
Peter Schjeldahl, “Let’s Not Read Narrative Art Too Seriously,” The New York Times, Sunday, December 8, 1974, page 35
Roger Welch exhibition catalogue, essay by I. Michael Danoff, published by the Milwaukee Art Center, Milwaukee, Wisconsin
Robert Pincus-Witten, “Notes”, Art Rite, Summer, Issue #6, pg.22
Imagist Realism, exhibition catalogue, published by the Art Museum of the Palm Beaches, Norton Gallery, West Palm Beach, Florida, pp. 26 and 36
Amy Goldin, “The Post-Perceptual Portrait”, Art In America, January/February, pp. 79, 80, and 81
Camera Art, exhibition catalogue, published by Lunds Konsthalle, Lund, Sweden, pp. 25-30
Barbara Radice, “Story Art”, Data, July/August, pp. 81 and 109
“The Roger Woodward-Niagara Falls Project”, Flash Art, pp. 28-29
Susan Heineman, review, Artforum, September, pg. 76
Ross Skoggard, review, Art in America, September/October, pg. 95
Phillip Smith, “Roger Welch and the Sculpture of memory”, Arts Magazine, October, pp. 57-59
Word, Image, Number , exhibition catalogue, essay by Mary Delahoyd, published by Sarah Lawrence College
Lives, exhibition catalogue, essay by Jeffrey Dietch, published by Jeffrey Deitch
19 Americans, exhibition catalogue, published by the USIS Cultural Center, Milano, Italy
Narrative Art , In Progress 5, exhibition catalogue, published by Museo Progressivo d’Arte Contemporanea, Livorno, Italy
Roger Welch, “On Recorded History - part 1”, Tracks, a Journal of Artists’ Writings, Spring, Vol. 1, No.2, pp. 60-64
Achille Bonito Oliva, Europe/America: The Different Avant Gardes, published by Deco Press, a branch of Franco Maria Ricci Editore 1976
Barbara Radice, review, Data , Issue # 20, march-April, pp. 37 and 38
Foto and Idea, exhibition catalogue, published by Galleria Communale d’Arte Moderna, Parma, Italy, pg. 119
Frank Popper, Art – Action and Participation, published by New York University Press, 1975. pp. 259-61 and 263
Tara Collins, “Roger Welch/ Preliminaries”, Arts Magazine, May, pg. 4
David Bourdon, review, the Village Voice, April 26, 1976, pg. 128
Richard Lorber, review, Arts Magazine, June, pg. 16-17
Peter Frank, “Auto-Art: Self –Indelgent? And How”, Art News, September, pg. 45
John Russel, “Fifteenth Anniversary Exhibition”, the New York Times, Friday, October 1, 1976, pg. C15
Grace Glueck, “Far-Out Art” to Honor Carter Donated to Georgia Museum” the New York Times, Thursday, December 16, 1976, pg. 66
Douglas Davis, “The Size of Non-Size”. Artforum, December, pp. 49 and 51
Soho Manhattan , exhibition catalogue, published by Akademie der Kunst, Berlin, Germany
CBS Evening News, “a Collection for Jimmy Carter”, Saturday, January 8, 1977, 6:30 P.M. EST, a National Broadcast
Alison Sky and Michelle Stone, Unbuilt America, published by McGraw Hill, New York 1976, pp. 9 and 250
New York Art Yearbook, Judith Tannenbaum, editor, published by Noyes Art Books, New York, pp. 108 and 281
Carter Ratcliff, “The American Artsist from Loner to Lobbyist”, Art in America, March-April, 1977, pp. 10-12
“Carter’s Conceptualists and Uncle Alton” , Art News, April, pp. 23-26
Gunter Metken, Spurensicherung, chapter “Roger Welch”, pp. 30-31, published by DuMont Buchverlag, Koln, Germany
“Documenta VI”, issue, Flash Art, 3 76/77, July-August (Cover)
Documenta VI, exhibition catalogue, (II – fotographie), published by Documenta VI, Kassel, Germany, pp. 23-26
Contemporary Artists, Colin Naylon editor, Genesis Porridge, published by St. James Press Ltd., pp 1034-1035
Suzanne Muchnic, “His Eye is on the Halfback”, Los Angeles Times, Section 5, Tuesday, November 15, 1977
Douglas Davis, Art Culture – Essays On the Post-Modern, published by Harper and Row, New York, pp. 37
“Roger Welch”, Flash Art , # 78/79, November-December, pp. 24-25, 48-49
“Roger Welch”, Artes Visuales, Fall, pg. 53, Mexico City
Sam Hunter, Modern Art, Published by Abrams and Co., New York
Who’s Who in American Art, Edition 1978, Published by Who’s Who in America
Sandra Shaul, “Video Art”, Artes Visuales. #17, March, Mexico City, pp. 9 and 23
Jerome Rothenberg editor, The Big Jewish Book, Published by Doubleday and Co. Inc, New York, pp. 344-348
Roger Welch, exhibition catalogue, Published by the Alberta College of Art, Calgary, Alberta, Canada
Flavio Caroli, Parola Immagine, Published by Fabbri Editori, Milano, Italy
Angelo Dragone, “Roger Welch”, La Stampa, Anno 113, No. 240, October 21, 1979, Torino, Italy
Achille Bonito Oliva, Drawing/Transparence, Published by La Nuova Foalio Editrice, Rome, Italy
Flavio Caroli and Luciano Caramel, Testuale, published by Mazzotta Editore, Milan, Italy
Luigi Carluccio, “Roger Welch”, Panorama , magazine, No. 712, December 10, 1979, pg. 28
Shelley Rice, “Image Making”, Soho Weekly News, May 24, 1979
Gene Thornton, “A Curator’s Curiosity”, New York Times, June 3, 1979
Ben Lifson, “Redundant Kisses, Engaging Ambiguities”, Village Voice, June 11, 1979
Margarethe Jochimsen, “Text, Photos, Stories”, Kunstforum, July 1979
Helmut Schneider, “Bilder mit Text”, Die Zeit, No. 32-33, August, 1979
Piergiorgio Firinu, La Grabbia Sui Pirenei, Published by Studio 46, Torino, Italy
Cartes et Figures de la Terre, Exhibition Catalogue, Published by Centre Georges Pomidou, Paris, France, pp. 178
Photo Graphica – The Thin Line, Exhibition Catalogue, Published by Edizioni Flaviana, Locarno, Switzerland, pp.17, 130-31
Giuseppe Turroni, “Parliamo di..” Corriere Della Sera, (illustrato), January 12, 1980, Published in Rome, Italy, pg. 47
“Roger Welch”, Harper’s Gran Bazaar, No. 8, May-June, Published in Milan, Italy, pg. 172
Roger Welch 1970-1980, exhibition catalogue, essay by Jeffrey Deitch, Published by Museo de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City, Mexico
“Expondra el Escultor Roger Welch hoy en el Museo de Arte Moderno”, Excelsior, October 9, 1980, Mexico City, pg. 3
1980 Athens Video Festival, exhibition catalogue, published by the Athens Center for Film and Video, College of Fine Arts, Ohio University, Athens, Ohio, pp. 1,3,6, and 7
Shelley Rice, review, Artforum, March 1981, Vol. XIX, No. 7, pp. 88-89
Schemes, exhbition catalogue, essay by Shelley Rice, Published by Elise Meyer, New York, pp. 1 and 10
4 Artists and the Map: Nancy Graves, Jasper Johns, Richard Long and Roger Welch, exhibition catalogue, essay by Roberta Smith, Published by the Spencer Art Museum of Art, University of Kansas, Lawrence, Kansas pp. 14-16, 32-35
Alternatives in Retrospect, exhibition catalogue, essay by Jackie Apple, essay by Mary Delahoyd, commentary by Roger Welch, Published by the New Museum, New York, pp. 12, 20, 30, 35
Mapped Art, exhibition catalogue, essay by Peter frank, published by Independent Curators Inc. New York and The University of Colorado Art Galleries.
Douglas Davis “After Photography” the Village Voice, April 1, vol. XXVI no. 14, pg. 34
Roger Welch, exhibition catalogue, published by Museo Nacional. Ministerio de Cultura, Havana, Cuba
“Muestra del Artists Roger Welch Hoy, en el Museo de Bellas Artes”, Gramma, June 19, Havana, Cuba
Szenen der Volkskunst, exhibition catalogue, published by Wurttembergischer Kunstverein, Stuttgart, Germany
“Obras del Museo Tamayo”, Tiempo magazine, vol. LXXIX, No. 2039, Mexico City, Mexico, p. 36
Carrie Rickey, “Roger Welch”, Artes Visuales, double issue no. 27-28, March, pp. 75, 77-78
Evening News at 7, with Jacobo Zabludovsky, “Interview with Roger Welch”, Televisa Canal 2, May 25, 1981, Mexico City (broadcast nationally in Mexico)
Roger Welch' (Review, Whitney Museum) by Amy Virshop, Alive, vol. 1, #3, Nov./Dec. 1982
Roger Welch/Drive In: Second Feature' (Review) by Ann-Sargent
Wooster, AfterImage, Dec., 1982, vol. 10, #5, p. 17; pub. by Visual Studies Workshop, Rochester, N.Y.
Vergangenheit, Gegenwart, Zukunft , Exhibition Catalogue, Kunstverein, Stuttgart, May 26–Aug. 22, 1982, pp. 82, 83, 84; pub. by Württ. Kunstverein, Stuttgart, Germany.
Roger Welch: Juegos de Memoria' by Susana Benko, El Nacional, Jan. 28 1982, Caracas, Venezuela, p. C-20.
Filmmakers' by Richard F. Shepard, The New York Times, Sept. 22, 1982, p. C-17.
Kim Levin Village Voice 'Voice Choices' October 13, 1982
Talmer, New York Post, 'But Where’s the Popcorn?' pg. 33, October 13, 1982
Remembering Memory Lane in Ossining' by William Zimmer, The New York Times, Sunday, Feb. 27 1983, p. 16.
Film As Installation, Exhibition Catalogue, The Clocktower, April 20–May 21, 1983, Thiells, NY.
'Personalized Television: Interview with Roger Welch' by Hal Himmelstein, Karen Nulf, and Larry Shirley, Wide Angle: Film Quarterly, vol. 5, #3, 1983, pp. 70, 74–79.
Urban Pulses: The Artist and the City, Exhibition Catalogue, Pittsburgh
Plan for the Arts, Oct. 16–Nov. 13, 1983; essay by Mel McCombie, pp. 8–9, 15–20.
'Lo Spazio-Tempo Della Narrative Art' by Tommaso De Chiaro, TerzoOcchio, #30, March, 1984, Edizioni Bora, Bologna, Italy, p. 34.
'Drive In: Second Feature,' Fiberarts, July-August 1984, vol. 11, #4, p. 92.
A Decade of New Art, Exhibition Catalogue, Artists Space, May 31–June 30, 1984, p. 75, pub. by the Committee for the Visual Arts, New York.
Sticks, Exhibition Catalogue, Addison Gallery of American Art, Jan. 13 – March 4, Published by Addison Gallery, Phillips Academy, Andover, Mass., p. 13.
San Francisco Video Festival 1984, Exhibition Catalogue, Oct. 4–9, 1984, Roger Welch, Antoni Muntadas, and Andy Kaufman; pub. by San Francisco Video Festival, The Video Gallery, San Francisco.
Artists Weapons, Exhibition Catalogue, text by Donald Kuspit, Ted Greenwald Gallery, New York, Dec. 20 thru Jan 26, 1984.
Biennale 18, Exhibition Catalogue, Middelheim, Antwerpen, June 16–Oct. 8, 1985, Antwerpen, Belgium, p. 46, 47.
A New Beginning: 1968–78, Exhibition Catalogue, Hudson River Museum, Feb. 3 – May 5, 1985, Yonkers, New York, essay by Mary Delahoyd, p. 112, 113.
Process und Konstruktion: 1985, München, Exhibition Catalogue, pub. by Archives of Contemporary Thought, Lodz, Poland, in Münich, p. 110.
L’Art et le Temps, exhibition catalogue, pp. 242 –243, published by Palais des Beaux Arts, Brussels, 1985.
'Roger Welch at Ted Greenwald' (Review), by Gerrit Henry, Art in America, September, 1986, p. 142.
'Roger Welch' (Review), by John Yau, Art Forum, Summer 1986, New York, p. 121.
Landscape, Seascape, Cityscape, Exhibition Catalogue, Contemporary Arts Center, New Orleans, Louisiana, p. 49.
Das Automovil in der Kunst: 1886–1986, Exhibition Catalogue Haus der Kunst, Münich, Germany, p. 206 Drive In: Second Feature.
'Der Blitzende Fetish' by Wolfgang Längsfeld, Suddeutsche Zeitung, #184, August 13, 1986, p. 29 (Feuilleton).
'Von 'Zorn Der Götter' Bis Zur BlechKarosse' by Hans-Jochen Kaffsack, Volksblatt Berlin, August 9, 1986, Berlin.
'100 Jahre Kunst Ums Auto' by H.J. Kaffsack, Ruhr Nachrichten, August 11, 1986.
'Wie der Rollende Fetish Gefeiert Wird' by Peter M. Bode, Abend Zeitung (Seite 7), August 10, 1986, Munich, p. 9.
'Shaped Memory Landscape: The Football Helmet' by Vivien Raynor, The New York Times, Sunday, April 6, 1986.
Waldungen, Exhibition Catalogue, Akademie der Kunsten, Berlin, Sept. 20 – Nov. 15, 1987, p. 333.
Photography and Art: Interactions Since 1946 Exhibition Catalogue, Los Angeles County Museum of Art and Museum of Art, Fort Lauderdale.
Essay by Andy Grundberg. Cross River Press Ltd. and Abbeville Press, New York, p. 140; illustr. p. 159.
'Weh Dem, Der Wälder Birgt', Der Tages Spiegel, by Berhard Schultz, Sunday, Sept. 20, 1987, Berlin, Germany, p. 4.
'Early Concepts of the Last Decade', The New York Times, Friday, Sept. 25, p. C-35, New York.
Contemporary Artists, Colin Naylor, St. James Press, London, pp. 1017, 1018.
Mark Richard Leach, “The Road Show” essay pg. 12 and 13, John Michael Kohler Arts Center publication, June 1989.
Image World, Exhibition Catalogue, essay by John Hanhardt, pg. 106, Whitney Museum of American Art, New York, NY.
Collage und Collagieren, Klaus Eid and Hakon Ruprecht, pg. 181, pub. Dumont Bucherlag, Koln, Germany, 1990.
Joe Bosson, 'U.T.'s Visiting Artist Exhibition Promises to Spark Talk, Reaction', The Knoxville Journal, Knoxville, TN, January 25, 1990, pg. 1B, 7B.
American Art Today: the City, Exhibition Catalogue, essay by Leslie Judd Ahlander, curated by Dahlia Morgan, The Art Museum, Florida International Univ., Miami, FL.
Roger Welch, Exhibition Catalogue, Liverpool Gallery, Brussels, Belgium,
text by Robert Toos, text (interview) by Carla Stellweg. edited by M. Van der Elsen and M. Jager.
'Roger Welch at Liverpool Gallery: Je Voudrais Etre...,' La Libre Belgique, March 15, 1991.
'Roger Welch,' The Bulletin, Brussels, Belgium, March 30, 1991.
'Roger Welch,' Nul Par Les Editions, Anderlecht, Belgium, March 30.
Force Sight, (catalogue for exhibition) text by Yves Michel Bernard,
Stuttgart, Germany, pp. 16, 17, 22, 48, 50 (illustration.)
'For Twelve Artists, Maps Fill A Role as Raw Material,' Helen A. Harrison, The New York Times, Sunday, October 18, 19 (LI), pg. 20.
'A presence of the past,' Michael Fressola, Staten Island Sunday Advance, Section E, pp. 1 and 4.
'A Genre Comes Into Its Own,' William Zimmer, The New York Times, Sunday, August 2, 1992 (NJ), pg. 11.
'New York Meets Presteneck, Amerikanischer Künstler Arbeitet Mit Schulern,' Barbara Barth, Heilbrowner Stimme, March 18, 1992, No. 65, pg. 17.
Installation Art, text by Michael Archer. Thames and Hudson Ltd., London, p. 110.
Contemporary Artists. Joann Cerrito, editor. St. James Press, Detroit, Michigan, 4th Edition, pp. 1271, 1272.
Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls.
Ronald Ehmke, editor. Hallwalls Inc., Buffalo, New York, p. 250 (1976 Exhibitions).
Lucy Lippard, The Lure of the Local, published by Anchor Books.
Gerrit Henry, Art in America, December, review of Neuberger Museum of Art exhibition, page 128.
Goddard, Donald 'Roger Welch: Traces of Time' view
Robert C. Morgan, 'Intimate Art', Tema Celeste, May, pg. 40-41.
William Zimmer, New York Times, March 11, Arts Section West Chester, page 8.
Arts Carolina, issue 7, Jan. 2002 'Art Department Hosts Artist-In Residence' pg. 13.
Helen A. Harrison New York Times review 'Site Specifics ‘03’ July 13, 2003 (L.I. Section).
Liutauras Psibilskis, Artforum.com web review picks 'Vilnius-New York 24/7' exhibition.
'Site Specifics ‘03' Installation at the Carriage House, catalogue, essay by curator Karen Shaw and director Mary Lou Cohalan, published July 2003, Islip Art Museum, Islip, New York.